Nine important compositions of Florent Schmitt to be featured in the upcoming 2019/20 concert season by orchestras in Antwerp, Augusta, Boston, Buffalo, Hiroshima, Maastricht, Montréal, Mulhouse, Paris, Perth, Québec City, Rochefort and Shanghai.

The international Bachtrack website is in the process of uploading its global database of classical music programs for the coming season. Although it doesn’t provide a comprehensive listing of every professional group’s events, the site covers nearly all of the major orchestras, opera and ballet companies around the world, making it the “go-to” resource for […]

Conductor JoAnn Falletta and mezzo-soprano Susan Platts talk about preparing Florent Schmitt’s music for performance and recording (Musique sur l’eau – 1898/1913 and La Tragédie de Salomé – 1907/10).

In 2020, the NAXOS label plans to release its second disk of music by the French composer Florent Schmitt that features the Buffalo Philharmonic Orchestra and its music director, JoAnn Falletta. The first recording, which was released in 2015, included several orchestral pieces by Schmitt:  the two Antoine et Cléopâtre suites (after William Shakespeare) and […]

Infectious elegance and so much more: Florent Schmitt’s Trois valses nocturnes (1901).

French composer Florent Schmitt’s abilities as a pianist were considerable. Even so, he characterized the piano as “a convenient but disappointing substitute for the orchestra.” Taking a look at Schmitt’s piano scores, what’s immediately apparent are the technical demands that are required to do the music justice.  It’s akin to what the French pianist Alfred Cortot famously […]

Clavecin obtempérant (1945), Florent Schmitt’s endlessly fascinating harpsichord suite created for Marcelle de Lacour.

Over a lengthy career spanning more than seven decades, the French composer Florent Schmitt created numerous works that showcased the special qualities of various different instruments — including some that are not so often the “featured celebrities” in scores. As an accomplished keyboard artist, it’s no surprise that the composer’s catalogue of works contains many […]

French music specialist Michael Feingold talks about creating orchestrations of Maurice Ravel’s piano and vocal scores.

Regular readers of the Florent Schmitt Website + Blog know that sometimes we “relax the routine” and publish an article that focuses on a different composer – usually a contemporary of Schmitt. Of the many fellow composers who Schmitt interacted with during his lengthy career, one with whom he shared an enduring professional and personal bond […]

Musiques intimes (1891-1904): Captivating piano miniatures by Florent Schmitt that reveal the composer in his most introspective moods.

Florent Schmitt may be best-known for his opulent orchestral scores, most of which were written in the first three decades of the 20th century. But Schmitt’s compositional career, which spanned more than seven decades beginning in the late 1880s, contains so much more than just those creations. Taking a look at the composer’s extensive catalogue — […]

Pianist Alain Lefèvre reminisces about working with the great French violinist Christian Ferras, and together preparing Florent Schmitt’s Sonate libre (1918-19) for tour.

To younger music-lovers, the name Christian Ferras may not be well-recognized. But Ferras, who lived from 1933 to 1982, was one of the finest violinists of the 20th century. Unfortunately, it was a career cut short by suicide at the age of just 49 years, but during his 25 years on the stage, Christian Ferras established a reputation as an uncommonly fine […]