For afficionados of Florent Schmitt’s music, the upcoming 2025-26 concert season will include symphonic works that cover a wide swath of the composer’s career, with eight compositions created over a 50-year period from 1890 to 1941. In addition to two acknowledged “big hits” (La Tragédie de Salomé and Psaume XLVII), the featured repertoire includes several […]
Category Archives: Ballet
When Florent Schmitt died in August 1958, fellow composer Henri Dutilleux wrote a memorable epitaph in honor of his older compatriot: “Florent Schmitt was the last of that great family to which Ravel, Dukas, and Roussel belonged. He remains one of them who, by a happy assimilation of German and Central European influences, recalled the […]
In addition to multiple presentations of Schmitt’s best-known composition La Tragédie de Salomé, music-lovers will be treated to several works from the composer’s early and late career. For the upcoming 2024-25 concert season, the popularity of Florent Schmitt’s ballet La Tragédie de Salomé (1907-10) continues on its upward trajectory — a trend that sees no […]
Bruno Belthoise and Grégoire Pont are revitalizing the stories of French children’s ballets more than a century after their creation. It’s interesting to note that four of the most important composers from France’s “Golden Age” each wrote music for ballet productions based on children’s topics. Not only that, the music for all four of them […]
In addition to multiple presentations of Schmitt’s best-known composition La Tragédie de Salomé, music-lovers will be treated to three works from the composer’s early and late career. Four compositions spanning Florent Schmitt’s seven-decade career as a composer are part of the 2023-24 symphony season. (Portrait: Pierrette Lambert, 1992) For the upcoming 2023-24 concert season, the […]
“At the crossroads of dance, poetry and music”: Les Apaches’ December 2021 live presentation at the Théâtre de l’Athénée in Paris was commercially recorded and has now been released on the b●records label. La Tragédie de Salomé is French composer Florent Schmitt’s most famous work – and it has been so ever since it first […]
Florent Schmitt’s Reflets d’Allemagne, Op. 28, inspired by his travels throughout Central Europe during his Prix de Rome period (1900-04), is a suite of eight waltzes originally written for piano duet — and music that fairly cries out for ballet treatment. By turns the pieces are whimsical and elegant, but also shot through with notable […]
When the composer Florent Schmitt died in August 1958 at the age of nearly 88 years, many prominent musicians, scholars and journalists wrote words of tribute honoring the last of the “grand generation” of French composers that had included, among others, Debussy, Dukas, Ravel, Roussel, Koechlin, Pierné, Cras, Rabaud, Ropartz and Tournemire. Along those lines, […]
The 2020 NAXOS recording, completed just days before the COVID pandemic shuttered classical music performances across the globe, includes two colorful ballet scores along with two world premieres. Since its November 2020 release during Florent Schmitt’s 150th birthday anniversary year, the NAXOS recording of four orchestral works by the Buffalo Philharmonic Orchestra under its music […]
The 2020-21 season includes performances of the small-orchestra version in Japan, Germany and France. As is so well-known to music-lovers everywhere, the COVID-19 pandemic has wreaked havoc on concert-going the world over. For too many orchestras and chamber ensembles, the entire 2020-21 season has been a total bust — or at the very least, upended […]
The new NAXOS release features two iconic ballet suites along with two world premiere recordings. Back in 2015, a recording of the music of Florent Schmitt on the NAXOS label, performed by the Buffalo Philharmonic Orchestra and its music director, JoAnn Falletta, was a noteworthy artistic and commercial success. Today, these same musical forces are […]
On March 7 and 8, 2020, the Buffalo Philharmonic Orchestra under the baton of its music director, JoAnn Falletta, presented what may well be the North American premiere performances of the suite from Florent Schmitt’s ballet Oriane et le Prince d’Amour. Composed in 1933-34 for Ida Rubinstein, the famed dancer and dramatic actress who commanded […]
Of Florent Schmitt’s major compositions, undoubtedly the one that has achieved the greatest fame over the decades is the ballet La Tragédie de Salomé, which Schmitt created for the dancer Loïe Fuller who presented the hour-long “mimed drama” at the Théâtre des Arts (now the Théâtre Hébertot) in Paris in 1907. That original version of La […]
Not long ago, I compiled a listing of published biographies, other books and dissertations that cover music and the arts in Paris during the time of Florent Schmitt’s career as a composer (roughly the 70-year period from 1890 to 1960). Among the many documents I discovered, one of the most interesting was one that focused […]
The international Bachtrack website is in the process of uploading its global database of classical music programs for the coming season. Although it doesn’t provide a comprehensive listing of every professional group’s events, the site covers nearly all of the major orchestras, opera and ballet companies around the world, making it the “go-to” resource for […]