Florent Schmitt’s Crépuscules (1898-1911): Richly evocative tone painting in the finest French pianistic tradition.

Composed between 1898 and 1911, Florent Schmitt’s Crépuscules, Op. 56 is a set of four pieces for solo piano that was published in 1913. It’s one of the most compelling French piano works of the period.  It also looks forward to Ombres which came along just a few years later — and which is probably the composer’s ultimate […]

The Invencia Piano Duo Completes its Florent Schmitt Series on the Grand Piano Label

One of the most intriguing recent projects involving the music of French composer Florent Schmitt is the complete music for two pianos and piano duet, recorded by the Invencia Piano Duo (Andrey Kasparov and Oksana Lutsyshyn). These works have been released on the Grand Piano label over the past year, with the final two installments […]

First-ever recording of Florent Schmitt’s ballet Le petit elfe Ferme-l’oeil (1923) to be released.

Timpani, the French CD label that specializes in recording unfamiliar French repertoire of the romantic and modern eras, has just announced plans to release the first-ever recording of Florent Schmitt’s children’s ballet, Le petit elfe Ferme-l’oeil, Opus 73. The Ferme-l’oeil score is quite interesting in that it began life in 1912 as a suite of […]

La Tragédie de Salomé: Florent Schmitt’s most famous composition … 15 commercial recordings and counting.

Without question, La Tragédie de Salomé, Op. 50 is Florent Schmitt’s most famous composition.  Composed in 1907 and revised in 1910, this ballet is far more often performed as a symphonic suite these days (although the Mariinsky Ballet revived the stage version in 2013). The composition became famous from the very start – recognized by […]

Oriane et le Prince d’Amour: Florent Schmitt’s Final ‘Orientalist’ Composition (1933)

One of the most memorable aspects of French composer Florent Schmitt’s musical output is his artistic work in the “orientalist” realm.  In fact, in this aspect it could be claimed with some justification that Schmitt had no peer, notwithstanding the efforts of other fine composers in France (Saint-Saens, Bizet, Lalo, d’Indy, Roussel, Rabaud, Ravel, Delage, Aubert, etc.) and elsewhere […]

French Pianist Bruno Belthoise Talks About the Music of Florent Schmitt and Le petit elfe Ferme-l’oeil (1912)

The French pianist Bruno Belthoise has been performing Florent Schmitt’s piano duet composition Une semaine du petit elfe Ferme-l’oeil, Op. 58 since 2006. Not only has he become a champion of the music score, he has also created a special presentation incorporating Schmitt’s music, story line narration and imagery that helps introduce children to the world of […]

Dionysiaques Around the World: Celebrating 100 Years of Florent Schmitt’s Masterpiece for Concert Band (1913-2013)

Dionysiaques, Op. 62 is unquestionably Florent Schmitt’s most famous work for wind ensemble.  It was composed exactly 100 years ago, but it would take decades for this 11-minute tour de force to become part of the core repertoire of concert bands. First in France … then in Europe and the United States and now in the […]